Leading international scholars consider the films and legacy of Howard Hawks. Diverse contributions consider Hawks' work in relation to issues of gender, genre and relationships between the sexes, discuss key films including Rio Bravo, The Big Sleep and Red River, and address Hawks' visual style and the importance of musicality in his film-making.

The perfect stocking filler for lovers of Card Games. 40 popular card games, with clear instructions and guidance on how to master each one. Easy to follow helpful advice on learning more than 40 of the most popular card games. This beautifully presented edition will offer all the help and guidance you need to learn how to play these ever-popular games. Illustrated throughout with colour diagrams showing hands, moves and simple to follow instructions.

Brooks offers readers a succinct, lively and robust introduction to the subject of organisational behaviour. While aiming to encourage and promote the critical examination of the theory of organisational behaviour, this book also seeks to enable students to interpret and deal with real organisational problems. This new edition has major changes to the text to embrace international contexts and the modern realities of OB. It has proved a popular student choice because it combines relative brevity with thorough coverage and plentiful real-world examples. Popular features for today's organisational behaviour course include: * More prominent organisational theory coverage - this key topic has been moved forward to provide students with an overview of the different ways OB can be looked at early on in the book. * More coverage of modern communications technologies, cross cultural management, generational change and the gig economy. * New and updated case studies and 'Managerial Implications' boxes help to broaden students' knowledge and understanding of OB in real organisations. * 'Illustration in Film' boxes illustrate key ideas through famous films such as 12 Angry Men and The Devil Wears Prada.

Film noir may seem a familiar term to many, with its use of a complex narrative structure, flashbacks and voiceover narration, and with such archetypal characterisations as the femme fatale and private eye. But this introduction is not so much an account of what film noir is, but more an interrogation of the ways in which the term came to be applied to a particular group of American films of the 1940s and 1950s.Ian Brookes asks: 'What is film noir?' With this sharply focused question active throughout the book, students will benefit from an introductory text designed to provide a sophisticated treatment of the problems inherent in the category. This will be the first critical introduction to film noir which takes into account the complexity of the term and the difficulties of straightforward definition and classification.